PRESS

“The Big something vibe is big, vibrant and bright, so color changes played an important role in my design,” said Thibault of Life Is Art Studios. “A lot of times using a monochromatic look for a portion of a song helps me set that part of the music apart from the rest. Often, I will pick two-to-three colors for a song and drop between them in different ways, using one for a chorus and the others for refrains. Or, at certain times, I may use one color only to emphasize large hits. I will also build effects that are made up of each of these selected colors and use them as an added way to match the beat. Or, I’ll have them mark a change in tempo, while keeping the feel of the stage.”

“Helping Thibault achieve multi-faceted wrap around looks were the 18 Rogue R2 Wash and eight Rogue R2 Spot fixtures in his NYE rig. “The Rogues were our only movers, and we relied on them to envelop the band,” he said. “Because we stayed away from our normal symmetrical beam fixture looks, we wanted to wrap the band in color and energy. This gave the livestream’s audience the feeling they had a great view of the stage even when the camera shot wasn’t from dead center. It also helped psyche up the band, which was important, since they had no crowed to connect to inside the theatre.”

“For Thibault and his team, lighting drive-in concerts isn’t just an occasional project, but a new way of doing business in the pandemic era. Since March, they’ve been doing multiple “No Parking on the Dancefloor” concerts a month, every month, at drive-in theatres throughout the south.”

“The LD for the show, Daniel Thibault of Life Is Art Studios, used 50 Rogue units to cover the stage as well as a good part of the sprawling venue in multi colored light. To pull eyes into the DJ booth, he lined its front with 42 PVP S5 5.2mm pixel pitch SMD LED video tiles.”